We had to look long and hard for a traditional Hebrides black house, and then the only ones we could find that were not ruins (and fully a third of the modern homes still have a black house ruin off to one side or behind) were fully modernized. I mean, windows? This example, now fashionably whitewashed and groomed, was just by the airfield and probably represented the retirement home of someone who served there. Still, character shows.
Given the nature of the Hebrides roads (which I have mentioned before are one way…with pullouts for meeting oncoming traffic every so often…and those only on the major arteries) we were not able to do more than jump out of the car while it was still running in the lane and grab a shot. Lighting was not ideal with that bright sky looming up behind and little light on the foreground. Worse, the H50 suffers from unpredictable chromatic aberration. Purple and green fringes pop up at sharp, high contrast intersections in the image at certain settings of the zoom and in certain situations. I have never been able to track exactly what settings of the zoom and what situations, but this was one of them. Green fringes were readily apparent in a medium sized print or at normal screen resolution. Fortunately Lightroom has one of the best Chromatic Aberration tools I have ever seen.
Sony DSC H50 at about 60mm equivalent. F5.6 @ 1/640th @ ISO 100. Programed Auto.
In Lightroom, besides fixing the CA, I used two graduated filter efffects, one from the bottom to increase both exposure and contrast, and one from the top to darken the sky. The one from the bottom is of interest in that I slid a good portion of the darkest section of the filter off the bottom of the image, to give a more subtle graduation to the exposure increase. As usual with the H50, I added Presence (Clarity and Vibrance) and used the Sharpen landscapes preset.