I am in Machias Maine this morning, having brought daughter #4 up to visit daughter #3 at college on Home Coming weekend. Yesterday, despite heavy fog over the coast, I drove up to Quoddy Head State Park to explore and to see what I could find to photograph. On the way up, while still on Route 1, I passed an Atlantic Coast Conservancy pull off for Reynolds Marsh, and a few seconds later crossed the marsh (or river…it is the Orange River) itself. It looked so promising that I had to turn around and go back.
It was actually raining lightly when I got out of the car, and I had to work with one hand covering the controls of the camera all the time, and trust to my lens shade to keep water off the lens. There was a short walk down through the woods to the marsh, and I no more than stepped beneath trees than two Ruffed Grouse shot up in front of me and beat away among the spruce. The trail led to a canoe launch on the edge of the marsh.
The challenge with fog is getting enough light on the foreground so it looks natural without turning the fog into a bright white nimbus that blanks out the top 2/3rs of the image. And of course it is the contrast between the saturated wet colors close by, particularly rich in the diffuse light, and the grey encroaching atmosphere, that makes a foggy morning so interesting photographically.
I tried a few three exposure HDRs, and I am pretty happy with the results. I find that, using Photomtix for the HDRs, I still have to envision what I will be able to do with the image in Lightroom, and adjust the tone mapping in Photomatix with that in mind.
Canon SX20IS at 28mm equivalent. Three exposures separated by 2EV with the center of the range moved down –2/3EV using exposure compensation. ISO 125.
Photomatix tone-mapping, and then a bit more Recovery in Lightroom, some Fill Light, and the Blackpoint moved right…added Clarity and Vibrance, and Sharpen narrow edges preset.
And, being Sunday, I think about the parable potential of the image as well…
The fog that obscures the distance (future?), should not lessen your enjoyment of the rich saturated colors of your life close at hand…and, in fact, the contrast is, often, what makes life interesting. Or so say I.
One more from the foggy marsh. This one is not an HDR, but I was able to balance the exposure using Recovery and Fill Light in Lightroom. Taken in wide (16/9) mode.